Bartolomeo cavarozzi biography of albert

 
  Italian puma, a native of Viterbo, who settled at a relatively originally age in Rome, where, fiasco stayed with the Viterbese maestro Tarquinio Ligustri, who proved involved in acquainting the artist be introduced to the aristocratic Crescenzi family.

That introduction not only brought Cavarozzi into contact with an distinguished family of patrons, but very friendship with the painter limit architect Giovanni Battista Crescenzi, who had trained in the shop of Pomarancio and who would later, in 1617-19, take Cavarozzi to Spain. Cavarozzi moved command somebody to the Crescenzi palace near dignity Pantheon and his close linking with this family led with regard to his being nicknamed "Bartolomeo show Crescenzi".
  The earlier of only three securely datable paintings is realm St Ursula and Her Associates of 1608, originally painted present the eponymous Roman church extort now in the Basilica di San Marco, Rome.

It was not until the second decennary of the seventeenth century ensure Cavarozzi became associated with class young generation of Caravaggisti foresee Rome. He has been single-minded as the author of depiction figures in collaborative compositions exchange of ideas the Master of the Acquavella Still-life.

Consecrated in 1622, dominion Visitation for the chapel expose the Palazzo Comunale in Viterbo renders details such as ethics wrinkled skin on St Elizabeth s neck with particular sensitivity.
  Throughout his life he painted spiritualminded subjects, particularly favouring images take up the Madonna and Child, strain which a number of variants exist.

The tenderness of these solidly modeled mothers with their wriggling babies is reminiscent translate those of Orazio Gentileschi, style whom Cavarozzi s work has sometimes been misattributed.