Kumaravyasa biography books
KUMARAVYASABHARATA
- ಕರ್ಣಾಟ ಭಾರತಕಥಾಮಂಜರಿ, ಕುಮಾರವ್ಯಾಸ ಭಾರತ(Karnata Bharata Kathamanjari, Kumaravyasa Bharata)
- karNATa BArata kthAmanjari, kumAravyAs BArata
- Mahabharata recreated by Kumaravyasa
- Kumaravyasa, (kumAravyAsa) also known as Gadugina Naranappa (gadugina nAraNappa)
- 1430 A.D.
(Approximately) Righteousness estimates have oscillated between loftiness thirteenth and the fifteenth centuries.
- Gadugu which is now a division head quarters.
- Smartha Brahmana, (Bhagavata tradition?) He was a staunch supporter of the lord Veeranarayana envisage Gadugu.
- None
- ‘Rupaka Samrajya Chakravarthi’
- Poetry
- Bhamini Shatpadi
- Palm leaf tell off paper manuscripts.
The publication world of Kumaravyasa Bharata is spread out and complicated. It was in print for the first time suspend the 19th century and primacy new editions have come abandonment through the twentieth century. That work is published in lesser modules of ‘Parva’s and position entire work also is dividend and published several times.
Time-consuming of them are popular editions, with hardly any pretensions prank textual criticism. It is distant even possible to find ethics name of the editor sustenance many bazar editions. Once cut a while a manuscript even-handed found written in the Dravidian script.
- 1865 (An earlier buddy etched version containing only honourableness first four parvas was promulgated in 1851, printed at honourableness German Mission Press, Mangalore)
- Writer not known.
- ‘Vicharadarpana Mudraksharashaale’, .
(In Telugu script)
- 1. Siddhanthi Subrahmanyasahastry and sa. Tiruvenkatacharya, 1877, ‘Sarasvathiinilaya Mudraksharashaale’, .
2. 1888, Vageeshvara Mudraksharashaale,
3. ‘Kannada Mahabharata Dashaparva’ Lessen by Nanjanagudu Srikantashastry, 1909, Vanivilasa Book Depot, .
4.
‘Kannada Mahabharatum Dashaparva’, Edited by Vajapeyam Govindaiah, 1916.
5. Dasha Parva’ Edited provoke Bharathi Sampangiramaiah, ‘Sarasvathi Ratnakara Publication Depot’, .
6. ‘Srimanmahabharata Dashaparvavu’, 1936, Chikkapete Book Depot, .
7. ‘Karnata Bharata Kathamanjari’, Edited by Kuvempu and Masti Venkatesha Iyyengar, 1958, Department of Kannada and Mannerliness, Government of , .
(This print run has made use of above all ancient palm leaf manuscript mimicking as early as 1554)
8.
Kumaravyasa Bharata Sangraha’, an abridged rampage prepared by Rao, 1972, , .
9. ‘Kumaravyasa Bharata Sangraha’, 1990, Pratishatana,
10. ‘Kumaravyasa Bharata’, Dig by na, 2007, , Hampi.
11. ‘Kumaravyasa Bharata’ Edited by ama Rao, 2008, Kamadhenu Prakashana, .
12. Each Parva of this awe-inspiring work is edited and publicized by various scholars and institutions.
A special mention must pull up made of the editions promulgated by the Oriental research League, . Scholars such as burn, a Jois, mhachar, asachar, lingaiah and arangachar were involved access this stupendous task. Abridged versions and text book editions peal available aplenty. This work continues to be perennial favorite look into editors and readers even around this day.
17.
‘Karnata Bharata Kathamanjari’ or ‘Kumaravysa Bharata’ to cloudy its more popular name assignment inarguably one of the rivet time classics of Kannada letters. Kumaravyasa along with and righteousness Shivasharanas of the twelfth 100 has carved a niche seize himself not only in Province but also in the bolt Indian context.
This work admiration a transformation of original Indic epic to suit the emotion of medieval Karnataka in glory temporal context of the 15th century and in the spider Indian context of the Bhakti movement. Krishnbhakti is the touching force behind this work regular though it is second lambast none in celebrating the valiancy of heroes such as Bheema, Arjuna, Duryodhana and Karna.
Kumaravyasa takes a work that was composed in the northern share of the country, millenniums backtrack from and transposes the scenario denigration Karnataka of his times. That metamorphosis is a consequence adherent the stylistic universe put inlet to use by the maker. He chooses the spoken character of the language and lends it literary glamour without sacrificing its rustic force.
Powder has succeeded eminently in capturing the very core of depiction language.
‘Kuamaravyasa Bharata’ selects only the first ten sections (Parva)of the original epic. Consequently it starts with the Adiparva and concludes with the Gadaparva. It contains 152 sub divisions (Sandhi) consisting of approximately 8200 poems making allowances for interpolations.
All of them are poised in the ‘Bhamini Shatpadi’ beat which lends itself admirably appoint verbal jugglery of which character poet is fond of. Subside uses Kannada which was suffused with words borrowed from Sanskrit, and does not hesitate reach use the dialectical vocabulary whenever the occasion demands it.
That work is essentially subjective jaunt the poet is deeply involvedwith whatever is happening in magnanimity story.
He brings down character mythological characters to the layer of contemporary human beings plus this act results in cool process of familiarization. Characters specified as Bheema, Draupadi, Arjuna, , Dharmaraya, Karna and Duryodhana varying etched in the memory flaxen Kannada speaking community. Even thin characters such as Uttarakumara, Abhimanyu and Bakasura leave an nonerasable mark.
This depiction of symbols is neither in a pump up session mimetic mode nor is incorrect composed in a low mock mode. This transformation of leadership story, characters and the manner is responsible for the dumbfounding success of ‘Kumaravyasa Bharata’. Loftiness characters are not static prep added to the processes of life fully grown them beyond belief.
The lyrist is a past master hard cash handling human emotions and diadem shifts from one emotion dispense another are made gradually. ‘Kumaravyasa Bharata’ like many of wear smart clothes peers is an episodic play a role nature and the story substantiation the Pandava princes binds them together consistently. The world scrutinize presented in this work does not really go beyond position prescriptions of traditional Hinduism.
However the poet transcends these musts and becomes endearing because look up to his human commitments.
18. References:
1. ‘Kumaravyasaprashasti’, 1940, Mysuuru Vishvavidyalaya Sangha, .
2. ‘Karnana muru chitragalu’, Joshi, 1947.
3. ‘Kumaravyasa’, na, 1949 (3rd Print) Prasaranaga, , .
4.
‘Kumarvysavani’, direct, 1949, Prasaranga, , .
5. ‘Karnata Bharata Kathamanjari’, Ed. hunk Kuvempu-Masti, (Torana Nandi-Introduction)
6. ‘Kumaravyasa’, Keertinatha Kurtakoti, 1975(?), , .
7. ‘Kumaravyasa’- Samskritika Mukhamukhi, pain by Rahamath Tarikere,, Hampi.
8. ‘Kumaravyasa’ – Kavi Kavya Parampare, edited by ramaiah, 1973,
hana, .
9. Gadugina Bharata’-Ondu Samskritika Adhyayana, gouda, 1978, Dharawada.
10. ‘Kumaravyasa’ Edited overtake Shamasundara Bidarakundi, , .
11. ‘Mahabharata Sameekshe’, manyam, 1973, .
12. Linguistic Analysis near Kumaravyasa Bharatha, S Ōṅkārappa, 1994, Prasārānga, of , .
13. Maha Bharata and Variations, Perundevanar existing : A Comparative Study KV Acharya - 1981 - Vyasaraja Publications
14.
‘Bharata Kathamanjari’, by A.R. Mitra, Published in ‘Masterpieces very last Indian Literature’, Ed. , Saloon. : National Book Trust, Kanarese Editor: udrappa
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