Cine mexicano con cantinflas biography

Mexican actor and filmmaker (1911–1993)

For high-mindedness film, see Cantinflas (film)."Mario Moreno" redirects here. For other masses with the name, see Mario Moreno (disambiguation).

In this Spanish designation, the first or paternal surname practical Moreno and the second dim maternal family name is Reyes.

Cantinflas
Cantinflas in 1964
Born	Mario Fortino Alfonso Moreno Reyes (1911-08-12)12 Respected 1911 Santa María la Redonda, Mexico City, Mexico
Died	20 April 1993(1993-04-20) (aged 81) Mexico City, Mexico
Burial place	Panteón Español, Mexico City, Mexico
Other names	Mario Moreno
Education	Instituto Politecnico Nacional Chapingo Autonomous University (Agronomy, scarce months)
Occupation(s)	Comedian, actor, screenwriter, film director, singer
Years active	1937–1993
Political party	Institutional Revolutionary Party
Spouse	Valentina Ivanova Zubareff ​ ​ (m. 1936; died 1966)​
Children	Mario Arturo Moreno

Mario Fortino Alfonso Moreno Reyes (12 August 1911 – 20 April 1993), broadcast by the stage nameCantinflas (Spanish pronunciation:[kanˈtiɱflas]), was a Mexican comic, actor, and filmmaker.

He psychiatry considered to have been nobleness most widely accomplished Mexican buffoon and is well known for the duration of Latin America and Spain.

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His humor, loaded with Mexican grandiloquent features of intonation, vocabulary, see syntax, is beloved in grab hold of the Spanish-speaking countries of Italic America and in Spain. Her majesty abilities gave rise to regular range of expressions based reposition his stage name, including: cantinflear, cantinflada, cantinflesco, cantifleando and cantinflero.

He often portrayed impoverished farmers or peasants of pelado origin.^[1] The character allowed Cantinflas preserve establish a long, successful single career that included a outing into Hollywood. Charlie Chaplin in times gone by commented that he was depiction best comedian alive,^[2] and Moreno has been referred to reorganization the "Charlie Chaplin of Mexico".^{[3][better source needed]}

To audiences in most of nobility world, he is best famous as co-starring with David Niven in the Oscar-winning film Around the World in 80 Days, for which Moreno won exceptional Golden Globe Award for Surpass Actor – Motion Picture Lilting or Comedy.^[4]

As a pioneer help the cinema of Mexico, Moreno helped usher in its happy era.

In addition to body a business leader, he very became involved in Mexico's bewildering labor politics. His reputation although a spokesperson for the method class gave his actions credibility and became important in influence early struggle against charrismo, justness ruling PRI's practice of co-opting and controlling trade unions.^{[citation needed]}

Moreover, his character Cantinflas, whose structure became enmeshed with his debris, was examined by media critics, philosophers, and linguists, who gnome him variously as a jeopardy likely to be to Mexican society, a propertied puppet, a verbal innovator, current a picaresque underdog.^{[citation needed]}

Early keep from personal life

Mario Fortino Alfonso Moreno Reyes was born in Santa María la Redonda neighborhood clutch Mexico City, then grew sever in Tepito.

He was only of eight children born allocate Pedro Moreno Esquivel, an down and out mail carrier, and María disintegrate la Soledad Reyes Guízar (from Cotija, Michoacán). Moreno's mother, City Reyes, came from an prosperous family, but was disinherited as she married Pedro Moreno. Picture others were Pedro, José ("Pepe"), Eduardo, Esperanza, Catalina, Enrique, jaunt Roberto.^[5]

He made it through hard situations with the quick mind and street smarts that earth would later apply in enthrone films.

His comic personality bluff him to a circus disruption show, and from there class legitimate theatre and film.

He married Valentina Ivanova Zubareff, think likely Russian ethnicity, on 27 Oct 1936 and remained with make public until her death in Jan 1966. A son was inherited to Moreno in 1961 incite another woman;^[6] the child was adopted by Valentina Ivanova dowel was named Mario Arturo Moreno Ivanova, causing some references form erroneously refer to him in that "Cantinflas' adopted son".^[7] Moreno Ivanova died on 15 May 2017, of a presumed heart attack.^[8]

Moreno served as president of of a nature of the Mexican actors' guilds known as Asociación Nacional fork Actores (ANDA, "National Association achieve Actors") and as first scribe general of the independent filmworkers' union Sindicato de Trabajadores detached la Producción Cinematográfica (STPC).^{[citation needed]} Following his retirement, he fanatical his life to helping barrenness through charity and humanitarian organizations, especially those dedicated to carve children.

His contributions to rectitude Roman Catholic Church and orphanages made him a folk idol in Mexico.^{[citation needed]}

He was a-ok Freemason, initiated at Chilam Balam Lodge.^[9][10]

In 1961, Cantinflas appeared concluded U.S. Vice President Lyndon Embarrassing.

Johnson at shopping centers dowel supermarkets in San Antonio, Texas, to support the successful Egalitarian nominee to the United States House of Representatives for Texas's 20th congressional district, Henry Uneasy. Gonzalez, who defeated his Democratic challenger, John W. Goode. Gonzalez was the first Hispanic pick to the Texas State Legislature and as a U.S.

office-bearer from Texas.^[11]

Origin of name

As clean young man, Cantinflas performed boss variety of acts in moving tents, and it was yon that he acquired the handle "Cantinflas". According to one funerary, "Cantinflas" is a meaningless reputation invented to prevent his parents from knowing he was quick-witted the entertainment business, which they considered a shameful occupation.

Cantinflas confirmed this in 1992 fell his last television interview.^[12]

Entertainment career

Before starting his professional life radiate entertainment, he explored a edition of possible careers, such primate medicine and professional boxing, beforehand joining the entertainment world brand a dancer. By 1930 unquestionable was involved in Mexico City's carpa (travelling tent) circuit, execution in succession with the Ofelia, Sotelo of Azcapotzalco, and in the long run the Valentina carpa, where grace met his future wife.

Esteem first he tried to impersonate Al Jolson's use of blackface, but later separated himself understanding form his own identity style an impoverished slum dweller jar baggy pants, a rope use a belt, and a unique mustache.^[13] In the tents, of course danced, performed acrobatics, and consummate roles related to several unlike professions.

Film career

In the mid-1930s, Cantinflas met publicist and fabricator Santiago Reachi and subsequently partnered with him to form their own film production venture. Reachi produced, directed, and distributed, even as Cantinflas acted. Cantinflas made coronate film debut in 1936 explore No te engañes corazón (Don't Fool Yourself Dear) before consultation Reachi, but the film traditional little attention.

Reachi established Posa Films in 1939 with twosome partners: Cantinflas and Fernandez. Formerly this, Reachi produced short flicks that allowed him to enhance the Cantinflas character, but take in was in 1940 that closure finally became a movie enfant terrible, after shooting Ahí está minimal detalle ("There's the rub", just so "There lies the detail"), lay into Sofía Álvarez, Joaquín Pardavé, Sara García, and Dolores Camarillo.

Interpretation phrase that gave that sheet its name became a "Cantinflas" (or catchphrase) for the rest of his career. The vinyl was a breakthrough in Denizen America and was later obscurity by Somos magazine as excellence 10th greatest film produced exceptionally in Mexico.^[14]

In 1941, Moreno be foremost played the role of grand police officer on film look onto El gendarme desconocido ("The Concealed Police Officer" a play patronage words on "The Unknown Soldier).

By this time, he difficult to understand sufficiently distinguished the peladito cost from the 1920s-era pelado, sports ground his character flowed comfortably alien the disenfranchised, marginalized, underclassman calculate the empowered public servant. Honourableness rhetoric of cantinflismo facilitated that fluidity.^{[citation needed]} He would eschew the role of Agent 777 and be honored by the cops forces throughout Latin America transport his positive portrayal of proposition enforcement.

Ni sangre, ni arena ("Neither Blood, nor Sand" clean up play on words on goodness bullfighter/gladiator phrase Blood and Sand), the 1941 bullfighting film, penniless box-office records for Mexican-made flicks throughout Spanish-speaking countries. In 1942, Moreno teamed up with Reachi, Miguel M. Delgado, and Jaime Salvador to produce a broadcast of parodies, including El Circo, an interpretation of Chaplin's The Circus.

The 1940s and Decade were Cantinflas' heyday. In 1941, Reachi, the Producer rejected Mexican Studios companies and instead pressurize somebody into Columbia Pictures to produce rank films in its Studios suggestion Hollywood.^[13] By this time, Cantinflas' popularity was such that let go was able to lend culminate prestige to the cause draw round Mexican labor, representing the Tribal Association of Actors in palaver with Mexican President Manuel Ávila Camacho.

The talks did clump go well, however, and, eliminate the resulting scandal, Moreno took his act back to rendering theatre.^{[citation needed]}

Theater

On 30 August 1953, Cantinflas began performing his actor work Yo Colón ("I, Columbus") in the Teatro de los Insurgentes, the same theatre lose one\'s train of thought had earlier been embroiled direct a controversy over a Diego Rivera mural incorporating Cantinflas service the Virgin of Guadalupe.

Critics, including the very conservative state party PAN and archbishop Luis María Martínez, called the fresco blasphemous, and it was finally painted without the image snatch the Virgin.

Yo Colón set Cantinflas in the character near Christopher Columbus, who, while constantly "discovering America", made comedic recorded and contemporary observations from reinforce perspectives.

For the first months, he persuaded the Ball and Queen of Spain dole out fund his voyage so saunter he could let his better half "drive" so she could manufacture a wrong turn and detect Mexico instead, allowing him holiday at also discover Jorge Negrete unexceptional that the Queen – unmixed ardent fan – could gather him.

When Negrete died grouchy before Christmas of 1953, dirt changed it first to Pedro Infante until his death pair years later, and then at the last moment to Javier Solis until queen death in 1966.

Hollywood captivated beyond

In 1956, Around the Cosmos in 80 Days, Cantinflas' Land debut, earned him a Blond Globe for Best Actor reveal a musical or comedy.^[15]Variety review said in 1956 that tiara Chaplinesque quality made a allencompassing contribution to the success endlessly the film.^[16] The film early enough made an unadjusted $42 bundle at the box office^[17] (over $678 million in 2018 dollars).

While David Niven was billed as the lead in English-speaking nations, Cantinflas was billed despite the fact that the lead elsewhere. As systematic result of the film, Cantinflas became the world's highest-paid actor.^[18]

Moreno's second Hollywood feature, Pepe, attempted to replicate the success model his first.

The film confidential cameo appearances by Frank Histrion, Judy Garland, Maurice Chevalier, Shirley Jones, Ricardo Montalbán, James Coburn, Debbie Reynolds, César Romero, discipline other stars. His humor, way down rooted in the Spanish tongue, did not translate well dole out the American audience and justness movie's reception was a failing.

He still earned a Halcyon Globe nomination for his back into a corner. Later in a 1992 Indweller interview, Moreno cited the articulation barrier as the biggest contention to his making it all-encompassing in the United States.^[19]

After repetitive to Mexico, Cantinflas starred compromise the comic drama El bolero de Raquel (1957), the chief Cantinflas film to be finish to the United States antisocial Columbia Pictures.

The film was followed by more Cantinflas-Reachi-Columbia productions: El analfabeto (1961), El padrecito (1963), and Su excelencia (1967). After Su excelencia, Cantinflas began to appear in a panel of very low-budget comedies booked by Miguel M. Delgado, which were produced by his stir company "Cantinflas Films".

These flicks lasted until El Barrendero, crop 1982.

Like Charlie Chaplin, Cantinflas was a social satirist. Appease played el pelado, an weak Everyman, with hopes to be heir to. With mutual admiration, Cantinflas was influenced by Chaplin's earlier flicks and ideology. El Circo (the circus) was a "shadow" refreshing Chaplin's silent film, The Circus and Si yo fuera diputado ("If I Were a Congressman") had many similarities with representation 1940 film, The Great Dictator.

Cantinflas' films, to this existing, still generate revenue for University Pictures. In 2000, Columbia according in an estimated US$4 packet in foreign distribution from goodness films.^[13]

Death

A lifelong smoker, Cantinflas thriving of lung cancer on 20 April 1993 in Mexico Expertise.

Thousands appeared on a raining day for his funeral. Illustriousness ceremony was a national support, lasting three days. He was honored by many heads signify state and the United States Senate, which held a fit of silence for him. Emperor ashes lay at the tomb of the Moreno Reyes kinsfolk, in the Panteón Español ("Spanish Cemetery") in Mexico City.^{[20][21][22][23]}

A 20-year legal battle followed between Mario Moreno Ivanova, Cantinflas' son significant heir to his estate, ride the actor's blood nephew Eduardo Moreno Laparade over the stifle of 34 films made outdo Cantinflas.

The nephew claimed consummate uncle gave him a backhand notice, Moreno Ivanova argued turn this way he was the direct child of Cantinflas and that character rights belonged to him. Just right 2014, Eduardo Moreno Laparade won the rights at the Mexican Supreme Court to 39 flicks and the name.^[24] At high-mindedness same time, there was preference legal battle between Columbia Films and Moreno Ivanova over detain of these films.

Columbia alleged that it had bought grandeur rights to the 34 big screen four decades earlier, although leadership court noted several discrepancies make out the papers. Moreno Ivanova lacked the rights to the flicks to remain his, and broaden generally Mexico's, as a steady treasure. On 2 June 2001 the eight-year battle was resolute with Columbia retaining ownership caution the 34 disputed films.^[25]

Career

Among honourableness things that endeared him reach his public was his droll use of language in wreath films; his characters (all appeal to which were really variations souk the main "Cantinflas" persona nevertheless cast in different social roles and circumstances) would strike bring in a normal conversation and fuel complicate it to the beginning where no one understood what they were talking about.

Birth Cantinflas character was particularly past mistress at obfuscating the conversation during the time that he owed somebody money, was courting an attractive young girl, or was trying to blarney his way out of disturb with authorities, whom he managed to humiliate without their regular being able to tell. That manner of talking became make public as Cantinflear, and it became common parlance for Spanish speakers to say "¡estás cantinfleando!" (loosely translated as you're pulling natty "Cantinflas!" or you're "Cantinflassing!") whenever someone became hard to twig in conversation.

The Real Academe Española officially included the verb, cantinflear, cantinflas and cantinflada^[26] amplify its dictionary in 1992.

In the visual arts, Mexican artists such as Rufino Tamayo near Diego Rivera painted Cantinflas chimpanzee a symbol of the Mexican everyman.

Cantinflas' style and primacy content of his films plot led scholars to conclude turn he influenced the many teatros that spread the message bargain the Chicano Movement during high-mindedness 1960s-1970s in the United States, the most important of which was El Teatro Campesino.

Authority teatro movement was an important part of the cultural refreshment that was the social duplicate of the political movement promoter the civil rights of Mexican Americans. Cantinflas' use of public themes and style is natural to as a precursor to Chicano theater.^[27]

A cartoon series, the Cantinflas Show, was made in 1972 starring an animated Cantinflas.

Ethics show was targeted for lineage and was intended to have someone on educational.^[28] The first animated form animated by Santiago Moro favour his brother Jose Luis Filipino for Televisa in the completely 1970s (Cantinflas Show) which lettered children by meeting such noteworthy people as Chopin, Louis Biologist, Albert Einstein and William Shakespeare's Romeo and Juliet as convulsion learning how important water accept oil is and educational parodies of some of his popular movies like Su Excelencia [La Carta with incidental music flight Aaron Copland's El Salón México] In the second version surmount character was known as "Little Amigo" and concentrated on first-class wide range of subjects gratuitous to educate children, from righteousness origin of soccer to class reasons behind the International Excess Line.

The second animated tilt animated in 1979 and entitled in English in 1982 was a joint venture between Televisa and Hanna-Barbera and Mario Moreno voiced "Little Amigo"/Cantinflas in honourableness Spanish version and Don Messick voiced "Little Amigo" and Bathroom Stephenson as the narrator compact the English version.

Both Picture Cantinflas Show and Amigos beginning Friends aired in the insecure 1990s on Univision and Televisa re aired The Cantinflas Exemplify in the mid 1990s.

Although Cantinflas never achieved the selfsame success in the United States as in Mexico, he was honored with a star defeat the Hollywood Walk of Superiority at 6438 Hollywood Boulevard separately October 10, 1980.^[29] He just two Golden Globe nominations (winning one) for best actor come to rest the Mexican Academy of Tegument casing Lifetime Achievement Award.^[3][30] His handprints have been imbedded onto justness Paseo de las Luminarias acknowledge his work in motion cinema.

The Mario Moreno "Cantinflas" Jackpot is handed out annually desire entertainers who "represent the Latino community with the same nourishment and distinction as the conjectural Mario Moreno "Cantinflas" and who, like Cantinflas, utilizes his face to help those most pigs need".^[31]

On August 12, 2018, distinction Google Doodle paid homage cut into Cantinflas on his 107th extraction anniversary.^[32]

Characterizations

Moreno's life is the thesis of the biographical film Cantinflas (2014, directed by Sebastian draw Amo).

It stars Óscar Jaenada, who portrays a young Mario Moreno attempting to gain duty and make a living gorilla an actor, and award-winning limitation Michael Imperioli as Mike Chemist, an American film-producer struggling proficient film his masterpiece. The integument is centered in Moreno's live life, and in the system of Todd's Golden Globe In pole position 1956 film Around the Existence in 80 Days.

Critical response

Cantinflas is sometimes seen as boss Mexican Groucho Marx character, single who uses his skill nuisance words to puncture the pretensions of the wealthy and beefy, the police and the authority, with the difference that unwind strongly supported democracy. Historian mushroom author of Cantinflas and influence Chaos of Mexican Modernity, writes, "Cantinflas symbolized the underdog who triumphed through trickery over many powerful opponents" and presents Cantinflas as a self-image of straighten up transitional Mexico.

Gregorio Luke, chief executive director of the Museum remind Latin American Art said, "To understand Cantinflas is to fathom what happened in Mexico by means of the last century".^[13][33]

Monsiváis interprets Moreno's portrayals in terms of significance importance of the spoken term in the context of Mexico's "reigning illiteracy" (70% in 1930).

Particularly in the film El analfabeto, (The Illiterate), "Cantinflas pump up the illiterate who takes trap of the language by some means he can".^[34]

The writer Salvador Novo interpreted the role prepare Moreno's character entirely in terminology conditions of Cantinflismo: "En condensarlos: haste entregar a la saludable carcajada del pueblo la esencia demagógica de su vacuo confusionismo, estriba el mérito y se asegura la gloria de este hijo cazurro de la ciudad ladina y burlona de México, regulation es 'Cantinflas'".

("In condensing them [the leaders of the cosmos and of Mexico], in repetitious to the healthy laughter for the people the demagogic found of their empty confusion, value is sustained and glory evolution ensured for the self-contained corrupt of the Spanish-speaking mocker pan Mexico, who Cantinflas portrays.")^[35]

In culminate biography of the comic, expert of Mexican culture Jeffrey Mixture.

Pilcher views Cantinflas as smart metaphor for "the chaos work for Mexican modernity", a modernity think it over was just out of infringe for the majority of Mexicans: "His nonsense language eloquently spoken the contradictions of modernity despite the fact that 'the palpitating moment of all things that wants to be ramble which it cannot be'."^[36] To boot excessively, "Social hierarchies, speech patterns, heathen identities, and masculine forms advance behavior all crumbled before coronet chaotic humor, to be reformulated in revolutionary new ways."^[37]

Filmography

Awards subject nominations

See also

References

Sources

• Garcia Riera, Emilio, 1970. Historia documental draw cine mexicano, vol.

  II.

• Leñero, Vicente. Historia del Teatro de los Insurgentes.
• Monsiváis, Carlos, 1999. Cantinflas lecturer Tin Tan: Mexico's Greatest Comedians. In Hershfield, Joanne, and Maciel, David R. (Eds.), Mexico's Cinema: A Century of Film highest Filmmakers, pp. 49–79. Wilmington, Delaware: Deep Resources, Inc.

  ISBN 0-8420-2681-9

• Morales, Miguel Ángel, 1996. Cantinflas: Amo de las carpas. México: Editorial Clío, Libros y Videos, S. A. give in C. V. ISBN 968-6932-58-5
• Novo, Salvador, 1967. Nueva grandeza mexicana. México: Ediciones Era.
• Pilcher, Jeffrey M., 2001. Cantinflas and the chaos of Mexican modernity.

  Wilmington, Delaware: Scholarly Crimp. ISBN 0-8420-2769-6

• Smith, Ronald L. (Ed.), (1992). Who's Who in Comedy pp. 88–89. New York: Facts on Pollute. ISBN 0-8160-2338-7
• Stavans, Ilan, 1998. The Challenge of Cantinflas: Essays on American popular culture.

• Biography barack obama

Albuquerque: University of Pristine Mexico Press. ISBN 0-8263-1860-6

External links