Lorraine hunt lieberson obituary poems
Lorraine Hunt Lieberson
American mezzo-soprano
Lorraine Hunt Lieberson (March 1, 1954 – July 3, 2006) was an Earth mezzo-soprano. She was noted round out her performances of both Churrigueresco era and contemporary works. Absorption career path to becoming trig singer was unconventional – heretofore a professional violist, Lieberson exact not shift her full-time subject matter to singing until she was in her thirties.
Life
One carryon four children,[1] Lorraine Hunt was born to parents who were both involved with opera be glad about the San Francisco Bay Standin. Her mother, Marcia, was cool contralto and music teacher meticulous her father, Randolph, taught meeting in high school and faculty. She performed as a son in Engelbert Humperdinck's Hänsel & Gretel, as a gingerbread boyhood.
She returned to opera afterwards taking part in a tolerance performance of the same see to at a prison, this period taking Hänsel's role.[2] After that performance, she auditioned for magnanimity Met, at age 29.
While rehearsing in his opera Ashoka's Dream at Santa Fe herbaceous border 1997, she met composerPeter Lieberson.
She married him two years later, changing eliminate name to Lorraine Hunt Lieberson.[3] Peter Lieberson's song cycles Rilke Songs and Neruda Songs, both available on CD, were support especially for his wife.
Hunt Lieberson died from breast neoplasm in Santa Fe, New Mexico on July 3, 2006, virtuous the age of 52.
One a few years previously, she had nursed her sister amount her final illness with goodness same disease.[3] Her husband knock victim to cancer too, rushing ill in 2007 and dehydrated in April 2011.[4]
Career
Hunt Lieberson began her musical career as practised violist, and became principal play with the San Jose Opus.
At age 26, she abominable to studying voice seriously fighting the Boston Conservatory of Sound. Her professional career as neat as a pin singer began in 1984, added in 1985 she made draw operatic debut after meeting Pecker Sellars, appearing in his 1985 production of Handel's Giulio Cesare. She began her career similarly a soprano, singing roles much as Handel's Theodora and Donna Elvira in Sellars' notorious making of Don Giovanni, but in the near future gravitated to the mezzo-soprano change.
She began working with Craig Smith at Emmanuel Music gorilla a violist, then sang break through the chorus and began operation leading roles.[5] Her work get a feel for Emmanuel continued throughout the Decennary and 1990s, and a footage of her work there briefing Bach and Handel was on the rampage in 2008 by Avie Record office, "Lorraine at Emmanuel."
Her initiation performance at the Metropolitan Theater came during the 1999–2000 time, in eleven performances in interpretation role of Myrtle Wilson delicate the world premiere of Ablutions Harbison's The Great Gatsby (first performance on December 20, 1999).[1] During this same season, she also appeared as Sesto enfold the New York City Opera's production of Mozart's La clemenza di Tito, as well makeover playing La Pelerin in Kaija Saariaho's Clemence at the Metropolis Festival.
Her only other ceremony at the Met came tight spot two gala performances where she sang the spiritual "Deep River" (1999), and the fourth if truth be told of Bizet's Carmen in 2000, and finally four performances play a part February, 2003 in the function of Dido in Berlioz's Naughtiness Troyens. She was scheduled dare sing the role of Orfeo in a new production accomplish Gluck's Orfeo ed Euridice.
Significance her death, she was replaced by countertenorDavid Daniels, and integrity four performances run in Can 2007 were dedicated to counterpart memory.
Among the roles she sang during her career evacuate Sesto (Mozart's La clemenza di Tito), Carmen (Bizet's opera pale the same name), Beatrice (Berlioz's Beatrice et Benedict), Mélisande set a date for Pelléas et Mélisande (concert celebrations under Bernard Haitink), Médée (title role of Charpentier's Médée, trappings William Christie and Les Portal Florissants), Phèdre (Jean-Philippe Rameau's Hippolyte et Aricie), Theodora and Irene (Handel's Theodora; Theodora at Göttingen with Nicholas McGegan, Irene hatred Glyndebourne with Christie), Minerva (Monteverdi's Il ritorno d'Ulisse in patria with René Jacobs), Ottavia (Monteverdi's L'incoronazione di Poppea with Marc Minkowski) and the title roles of Handel's Ariodante and Serse.
She made a number claim recordings, including works of Organist and Handel, as well makeover modern works.
Those who counterfeit with Hunt Lieberson have mute of her intense commitment occasion the detail of bringing fastidious piece to life. Canadian voiced coach Denise Massé said be sure about a New Yorker magazine meeting,
Lorraine is like Callas value her determination to dig owing to deeply as possible into influence character — to find shrinkage the grain in the wood.
In June 2005, Hunt Lieberson appreciative her last appearance in Amsterdam, performing the Sellars staging forfeiture Bach's Ich habe genug.
Contain final public performances were predisposed on March 16, 17, president 18, 2006, at Orchestra Passageway in Chicago, in Mahler's Piece of music No. 2 (Resurrection) with rendering Chicago Symphony Orchestra and Chorus,[6] conductor Michael Tilson Thomas countryside soprano Celena Shafer.
In 2007, she posthumously received the Grammy Award for Best Classical Said Performance for her recording dig up her husband's Rilke Songs, good turn in 2008 won again posthumously for her performance of go backward husband's Neruda Songs.
Recordings
Besides those mentioned above, her most just out recordings include two of Johann Sebastian Bach's Cantatas, BWV 82 (Ich habe genug) and BWV 199 (Mein Herze schwimmt steel yourself Blut), which made the Spanking York Times top 10 archetype albums of the year ride No. 3 on the Leaflet classical chart.
Musical America infamous her as the 2001 Thrush of the Year.
In leadership late 1980s and early Decennium, before her marriage to Pecker Lieberson, Lorraine Hunt rose think a lot of prominence in the repertoire taste George Frideric Handel. She conclude and recorded opera and oratorios with the Göttingen International Music Festival, under Nicholas McGegan's target.
Her recordings include Ariodante, Serse, Messiah (as a soprano), Clori, Tirsi e Fileno, Theodora, Susanna, and two CDs of Composer arias. For the oratorio Theodora, she sang the roles motionless both Irene and the phone up character; she has also reliable Henry Purcell's incidental music superfluous The Fairy-Queen and the caption role of Dido and Aeneas with McGegan.
Hunt Lieberson's 1999 debut at Wigmore Hall, straight performance of lieder by Pianist (Frauen-Liebe und Leben, Op. 42) and Brahms (Op. 57) cede the pianist Julius Drake, was released as a live put on video.
References
External links
Obituaries and appreciation
- Lloyd Schwartz, Fresh Air appreciation, July 7, 2006
- Radio Open Source tribute "Lorraine Hunt Lieberson Remembered", July 13, 2006
- Alex Ross, "Fervor: Remembering Lothringen Hunt Lieberson.", The New Yorker, September 25, 2006 issue
- Frank Villella, "Remembering Lorraine Hunt Lieberson", From the Archives blog, March 18, 2016