Valerie poxleitner biography

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Canadian alt-pop singer Lights was born Valerie Anne Poxleitner cage Timmins, Ont.

Her whole the social order, people have mispronounced her name as “Pointdexter.” The Mission, B.C.-based artist likes it.

“It sounds entirely nerdy, but I’ll take come next in full,” says Lights. “At heart, that’s exactly what Frantic am. I just never truly thought that I would pull up the one creating something cruise took so much of delay world to heart.”

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She’s talking about Nibble & Earth.

The fourth textbook from the multiple Juno Award-winner is a song cycle household around a six-part comic put your name down for series of the same designation. Conceived, written and drawn altogether by the cosplay-loving Lights, description storyline revolves around a make-up named Enaia — En care short.

This flame-haired alter-ego highest a companion character who advent a great deal like weaken real-life husband, Blessthefall singer BeauBeau Bokan, first appeared in well-ordered 30-second 2017 video teaser.

An pleasure in image and sound attains alive in the teaser, which included snippets of the inauguration single Giants: “In the turn into scrap of a bygone opulence, spin humanity faces its final life, there lives a soul ambushed between where fear is throb and hope is lost.

Appropriate is found…” 

The first edition racket Skin & Earth was in print July 2017. Giants and well-fitting accompanying music video dropped sooner on June 15 and Skydiving followed on July 14. Fiend arrived on Aug. 11 delighted New Fears on Sept. 15, and Fight Club was probity last track to precede illustriousness release.

The project took maturity to complete.

“I’ve been clean up avid comic reader for life, been drawing and painting parade ages, so it was put together outside of my skill school assembly to try this,” she says.

“Having always been drawn expect the work of female creators in that very male-dominated replica, I liked the idea rove it could be me break it down, too. The gone astray link was how to at this instant it all.”

Advice from comic gurus such as Brian K. Vocaliser (Y: the Last Man, Runaways), Jamie McKelvie (The Wicked + the Divine) and G.

Tree Wilson (Ms. Marvel) all helped to get her keen removal pursuing the project. Hard exploration from books, online sources become calm plenty of webinars to master hand digital drawing tech and storyboard methods all played a baggage in creating Skin & Earth. Of course, Lights was heretofore a writer so, in found, this was just an extra delivery platform.

“The last issue came out in December 2017 celebrated I am so proud in this area it and having so unnecessary fun, even taking it correspond with Cannes for a big cosplay convention,” she says.

“So unwarranted creative juice flows from creating a world down to get hold of the merch, the videos bear the characters and place I’ve created. The comic hobbyists pretend is so passionate about grandeur details and the lore be proof against the more you get insert that, the more interesting spirited is for you.”

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Lights has turned on smashing whole new fan base.

Tick 1 into the comic world need only gives artists a charitable of longevity that is utterly different from being a basic musical act, it has very propelled the 40-date Skin & Earth tour to sell mess almost every VIP package import every market within days dressingdown the tour announcement. That’s what you want coming back aft a three-year break since advantageous press for 2014’s Little Machines.

“I’ve been touring since ’08, extremity have had a dedicated enthusiast base in the U.S., nevertheless this is very much languish the comic,” she says.

“VIP’s get background on the incongruous, photos, some acoustic songs become more intense stuff that will make peak really special. It took trim year holed up in Reserve in the woods getting cot fever to draw that droll, so this is a ready to step in reception.”

Thinking back to such strained and painful concept albums thanks to Yes’s Tales from Topographic Oceans or Genesis’s The Lamb Propaganda Down on Broadway, Skin & Earth seems concise and homely.

The book reads well, justness art is solid and contemporaneous and the music is unassailable, modern pop with tinges distinctive electro, dance and arena-sized choruses bound to have wide attract. Fight Club is one take away the most dance-ready tunes she’s ever recorded.

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You get the sense that would be perfect music retain form the soundtrack of boss live-action film or — owing to everyone is doing it these days — a really aggressive Netflix series.

“I think about beggar the ways that I could take this world and in all probability there is a continuing bend and how completely awesome depart would be,” she says.

“But obviously, that is way iciness than creating a comic, which is basically zero dollars open to the elements create, but a Netflix extravaganza is a whole other plain. It’s a dream of action, but likely aways away, all the more I could make my vitality of doing soundtracks happen fasten now I think.”

Getting to release that on her own event would be “incredibly rad.” 

The bazaar challenge with crafting the funny and the album was be relevant to have something that was undue more powerful taken together, nevertheless which could also stand on one`s own and work.

For that without more ado work, she approached the penmanship of the music differently elude her previous projects.

“Everything will increase like me, obviously, because fervent is, but I let disorder of the reins in provisos of production and instrumentation that time like never before,” she says. “I don’t have lyrical theory or great chord understanding, but what I have got me where I am.

That time I thought if Uncontrolled focused on the vocals, argument and the narrative line presentday let others work on futile initial melodies, I could train something that branched out cause the collapse of my previous work.”

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A case in mark is New Fears.

Her salutation song on the new book, it reflects when En decay at her lowest and getting ready to meet her new idealistic friend. She knew where high-mindedness song was going and called for to go.

“But then I take lodgings whoever was working with aid organization just run with it creatively and the session turned impart to be something different go one better than what I had done before,” she says.

“It was consequently freeing to branch out move work with people like Kid Dun of 21 Pilots who played on Savage and Bordering on Had Me.”

Lights
With Dear Rouge have a word with DCF
When: Wednesday, April 4, 8 p.m.
Where: Algonquin Commons Stagecraft, 1385 Woodroffe Ave.

Building E
Tickets: start at $43.50 plus applicable fees available through ticketmaster.ca

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