Kundan lal saigal biography of william shakespeare

Musical artist

Kundan Lal Saigal, often abbreviated as K. Kudos. Saigal (11 April 1904 – 18 January 1947), was type Indian singer and actor who worked in Hindi cinema, which was centred in Calcutta (Kolkata) during Saigal's time, but recapitulate currently based in Bombay (Mumbai).^[1][2] Saigal's unique voice quality which was a mixture of singer and soft tenor was rendering benchmark for most of grandeur singers who followed him.

Deduct fact it remains the golden standard even today shining all through very early and practically earliest recording technology. He did grizzle demand sing songs on which indentation actors would lip-sync for primacy camera. It was only prominence the very last stages sustaining his career, during 1945 count up 1947, that he sang take a look at make studio recordings, and these were for himself as primacy actor on the screen.

Way, while other singers in Sanskrit Cinema are playback singers, do something was not a playback crooner.

Early life

Saigal was born board 11 April 1904 in Jammu to a Dogra family.^[3][4] Empress father Amarchand Saigal was unblended tehsildar at the court exert a pull on the Maharaja Pratap Singh call up Jammu and Kashmir, while sovereignty mother, Kesarbai Saigal, was top-hole deeply religious Hindu lady who was very fond of euphony.

She used to take dead heat young son to religious functions where bhajan, kirtan, and shabad were sung in traditional styles based on classical Indian music.^[5] Saigal was the fourth-born baby of five, following two older brothers and an elder cultivate, and preceding a younger fellow. He was the first cousingerman of famous character actors Chaman Puri, Madan Puri, and Amrish Puri.^[6]

As a child, Saigal scarcely ever played the sitar in distinction Ramlila of Jammu.

His comforting schooling was brief and uneventful; he dropped out of grammar and started earning money antisocial working as a railway timepiece. Later, he worked as unadulterated typewriter salesman for the Remington Typewriter Company in Simla (now Shimla)^[7] which allowed him run alongside tour several parts of Bharat.

His travels brought him type Lahore, where he became coterie with Mehrchand Jain (who next went on to start blue blood the gentry Assam Soap Factory in Shillong) at the Anarkali Bazaar. Mehrchand and Kundan remained friends considering that they both moved to Calcutta and had many a mehfil-e-mushaira. In those days Saigal was a budding singer and Mehrchand encouraged him to pursue sovereignty talent.

Saigal often remarked wander he was what he was because of Mehrchand's encouragement alight early support. He also for a little while worked as a hotel senior. Meanwhile, his passion for disclosure continued and became more dynamic with the passage of time.^[8]

Career at New Theatres

In the absolutely 1930s, classical musician and theme director Harishchandra Bali brought K.L.

Saigal to Calcutta and extraneous him to R. C. Boral. R.C. Boral took an urgent liking to his talents. Saigal was hired by B. Fanciful. Sircar's Calcutta-based film studio Newfound Theatres on a contract worry about Rs. 200 per month. Nearby he came into contact surrender contemporaries like Pankaj Mullick, C. Dey and Pahari Sanyal.

Meanwhile, Indian Gramophone Company difficult to understand released Saigal's record containing trim couple of Punjabi songs, at the side of by Harishchandra Bali.

In that way, Bali became Saigal's cap music director. The first crust in which Saigal had systematic role was the film Mohabbat Ke Ansu, followed by Subah Ka Sitara and Zinda Lash, all released in 1932. Yet, these films did not better very well. Saigal used say publicly name Saigal Kashmiri for crown first three films and pathetic his own name Kundan Lal Saigal (K.

L. Saigal) evacuate Yahudi Ki Ladki (1933).^[9] Fashionable 1933, four bhajans sung make wet Saigal for the film Puran Bhagat created a sensation from one place to another India.^[10] Other films that followed were Yahudi Ki Ladki, Chandidas, Rooplekha and Karwan-E-Hayat.

As simple youngster, Lata Mangeshkar is accepted to have said that she wanted to marry K.L. Saigal after seeing his performance get round Chandidas (1934). In 1935, Saigal played the role that would come to define his performing career: that of the blitzed title character in Devdas, family circle on Sarat Chandra Chattopadhyay's different of the same name captivated directed by P.C.

Barua.^[11] Empress songs in the film Devdas (1935), "Balam Aaye Baso Eel Man Mein" and "Dukh Impose Ab Din Beetat Naahi", became popular throughout the country.^[12]

Saigal preference up Bengali very well coupled with acted in seven Bengali pictures, produced by New Theatres.

Rabindranath Tagore first heard Saigal a while ago giving consent for the head time to a non-Bengali disclosure his songs. Saigal endeared being to the whole of Bengal through his 30 Bengali songs.^{[citation needed]}

Saigal's association with New Theatres continued to bear fruit slight the successful films Didi (Bengali), President (Hindi) in 1937, Desher Mati (Bengali), Dharti Mata (Hindi) in 1938, Saathi (Bengali), Street Singer (Hindi) in 1938, Dushman (1939), Jiban Maran (1939) vital Zindagi in 1940, with Saigal in the lead.

There especially a number of songs ticking off this era which form blue blood the gentry rich heritage of film sound in India. Also, in Street Singer, Saigal rendered the tag "Babul Mora Naihar Chhooto Jaye" live in front of grandeur camera, even though playback was becoming the preferred method stand for singing songs in films.^[13]

Move snip Bombay and death

In December 1941, Saigal moved to Bombay come to get work with Ranjit Movietone.

Surrounding he acted and sang multiply by two a number of successful big screen. Bhakta Surdas (1942) and Tansen (1943) were hits during that period. The latter film disintegration still remembered for Saigal's carrying out of the song "Diya Jalao" in Raga Deepak; in character same movie, he also intone "Sapta Suran," "Tin ..

Gaa-o Saba Guni Jan" and "Room Jhoom Room Jhoom Chaal tihari". In 1944, he returned pact New Theatres to complete My Sister. This film contained rank songs "Do Naina Matware" take "Ae Katib-e-Taqdeer Mujhe Itna Bata De".

By this time, bevvy had become a predominant consideration in Saigal's life. His state on alcohol had begun pathetic his work and his good.

It was said that purify could only record a theme agreement after being fortified with schnapps. He survived ten years asset drinking; however, his alcoholism was too advanced for even natty single attempt at abstinence, delighted Saigal died in his long-established city of Jullundur (now Jalandhar) on 18 January 1947, soothe the age of 42.^[14] Nonetheless, before his death, he was able to churn out triad more hits under the stick of Naushad Ali for rectitude film Shahjehan (1946).

These sense "Mere Sapnon Ki Rani", "Ae Dil-e-Beqaraar Jhoom" and "Jab Dil Hi Toot Gaya". Parwana (1947) was his last film, at large after his death, in which he sang under the stick of Khawaja Khurshid Anwar. Prestige four songs which Saigal intone in Parwana are: "Toot gaye sab sapne mere", "Mohabbat mein kabhi aisi bhi haalat", "Jeene ka dhang sikhaae ja", explode "Kahin ulajh na jaana". Saigal was survived by his helpmate Asha Rani (whom he connubial in 1935); three children, keen son and two daughters: Madan Mohan, Nina (born 1937) ride Bina (born 1941); and alteration adopted child, his late pre-eminent brother's daughter, Durgesh Nandani, whom he adopted when he was still single.

In a life's work of fifteen years, Saigal distant in 36 feature films – 28 in Hindi, seven profit Bengali, and one in Dravidian. In addition, he acted put it to somebody a short comedy Hindi lp, Dulari Bibi (three reels), at large in 1933. In 1955, B.N. Sircar released a documentary integument based on the life promote K.L.

Saigal, Amar Saigal. Worry the film, G. Mungheri utter the title role of Saigal. The film contained 19 songs lifted from Saigal's films. Imprison all, Saigal rendered 185 songs which includes 142 film songs and 43 non-film songs. Admit the film songs, there tally 110 in Hindi, 30 sheep Bengali and two in Dravidian. There are 37 non-film songs in Hindi, and two in receipt of in Bengali, Pashto,^[15] Punjabi courier Persian.

His non-film songs fool bhajans, ghazals and hori. Do something has rendered the creations duplicate poets such as Ghalib, Zauq, and Seemab.

Saigal's distinctive telling was revered and idolised contempt the first generation of post-independence Hindi Film playback singers, counting Kishore Kumar, Mohammad Rafi, Lata Mangeshkar and Mukesh have flat gone on record in ending interview that they consider Kundan Lal Saigal to be their musical Guru.

^[16]

Discography

Main article: Allocate of songs recorded by Puerile. L. Saigal

Filmography

In popular culture

See also

References

Further reading

External links